D E M O S

When you work as a film composer, you will inevitably write music which does NOT end up in a movie.

You write music to get work (with sometimes only a vague notion of what the movie is about), and even if you get the job, none of your demo material might end up in the finished project.  While working on a score, you often create different versions of cues to find out which approach works best.  Also, you write music for scenes that end up being cut out of the movie.

All this leads to a whole bunch of miscellaneous cues.  I have included some of my own on this website.  I hope you'll like them.


What's up with that blue hand icon thingy?

I chose this image because it represents the position most composers' hands are in for 12+ hours every day:  grabbing a mouse or a track ball.  ;-)